Going back over the pictures of jackets accompanying mono white label promos, three fabricator codes are found: 2, 4, and 6. Find many great new & used options and get the best deals for Miles Davis Kind of Blue (CD) Mono & Stereo Collector's Album (US IMPORT) at the best online prices at eBay! Arthur. P.S. I don't know a lot about record store day. I even threw in the 90's SBM cd for the hell of it. Does your copy say "Music on Vinyl"? I own this one along with the 1997 re-issue and a 35DP-62 Japan for US. Wildler and Berkowitz recently decided to do another and perhaps final 3-track KOB transfer: to DSD, to 192/24 bit PCM (and probably other resolution digital) and at the same time, a two-channel stereo and a mono mixdown to analog tape. Guess I know what I'll be treating myself to. My initial thought in reply to my questioner was the lazy answer, " it depends which you prefer" . Light VC, but there. The stereo playback from the original masters was eerie. http://www.musiconvinyl.com/catalog/miles-davis/kind-of-blue-mono#more, Question about Music on vinyl and Columbia/sony legacy, the speed "error" situation.is not an error or oversight. At one point, in theearlymid60s, five plantswere in simultaneous operation, which helpsexplain whymultiple laquers were being cut to supportpressing of consistent quality at many different locations. Not just the LPs, but the CDs, cassettes, reel to reel tapes and MiniDiscs, Sound engineer Mark Wilder, who made this discovery in 1992, then corrected it using the backup three-track stereo tape for the subsequent remastered reissues. The earliestpressing of stereo six eyeis I believe stereo promos (E, K, AC, and AE),some other rare single alpha (1E and 1H) andsome 1AA and 1AC which also have the Side 2 track-listing error most of them do not. Needle doctor even sells them. Or the mono tapes went missing. I can verify that when sets of lacquers were cut for an album or a single, at least one set was shipped to Canada. The mono tapes have gone missing. Take that away and things work quite differently in practice. For this reason, it doesnt really matter whether your copy is a Bridgeport, Pitman, Terre Haute or Hollywood. I've looked at the website and so far all I've learned is to find a local participating record store. What happened? I'll have to give it a try. It got me "in the room" or studio, with the guys, where mono just did not, so I find it kind of (sorry) bizarre that, under almost any circumstance, mono would be the preferred medium where stereo is available. When KOB was originally recorded, Columbia ran simultaneous mono and three-track stereo tape recorderstwo each, one of each being for safety back-up. In afurther variation the word UNBREAKABLE under the catalogue number disappears. Now I'm curious if I should drop more cash on 'Round About Midnight Columbia Mono they just released. It very well may have been erased and the tape re-used. The love and care taken by Music On Vinyl on this release even extends to the printing of the labels, which on these discs are a homage to the 1959 Columbia six eye design. The label correction is believed to have taken place around November 1959, on the instruction of Teo Macero (hat tip Enrico!). Columbia/Sony Legacy CL-1355 (88883761031) 180g mono LP, Mixed by: Mark Wilder/Steve Berkowitz (this reissue), Mastered by: Ryan K. Smith at Sterling Sound, Over the past few Record Store Days Sony/Legacy has slowly been rolling out on 180g vinyl much of the Miles Davis catalog, mastered from original analog tapes. There may have been 27 lacquers cut but many letters never appear, and only a limited number of lacquers appear to have been actually used for pressing. In preparation for the commercial release, Columbia engineers cut at least 27 identical lacquers from the first master tape mix, one set mono, the other stereo. Once I got past the noise in the outer grooves (I cleaned it again) I found myself going back to the first time I heard it. Three jacket manufacture codes fits with the Columbia distributed manufacture model, and fits with there being three pairs of lacquers in use for the promo one pair to each of Columbias three plants. It is art after alland there is really only one master, and only one first pressing which Miles and Teo agreed on as being "finished". At other plants, stampers were deliberately chosen from different laquers. Kind of Blue est un album de jazz de Miles Davis sorti le 17 aot 1959 sur le label Columbia Records (rfrenc CL 1355).Il a t enregistr la mme anne, du 2 mars au 22 avril New York. After hearing a lot of different versions of KOB I believe it's just the sound of the mute which is raw and gritty. (LJC: so 1G and 1H would be the 2ndcutfrom Santa Maria)That way they could easily keep track of how many replacements were needed for each plant. A major project took place in 2009 to celebrate the 50th anniversary of the albums release, and attempts at an ultimate version were made then. I've got several of the Wilder/Sony Miles Davis mono RSD 180g remasters and I'mveryimpressed with them. (Also, the mono mix for "Flowers Never Bend with the Rainfall" sounds better to me, but that mix seems to only appear on the single and not on the album) The stereo has far higher dynamic range and feels less compressed. LP review by Andrew Cartmel). If I'm reading this correctly, this mono vinyl reissue is an all analogue cut? It very well may have been erased and the tape re-used. The Holy Grail, Kind of Blue, six eye stereo KoB 3. you can buy a dream or two - see you in the blue! According to Steve Berkowitz, who, with engineer Mark Wilder, has overseen all of the Miles Davis reissues going back many years, both of the original 3-track tapes used in recent years to produce the SACDs as well as 2008's blue 180g vinyl 50th Anniversary Collection box set (which was poorly pressed on 180g with a lot of noisy non-fill, gee I wonder who pressed it? Do you expect much improvement over the Classic Records stereo 45 release from the 90s? You can buy this same exact pressing for a very reasonable price just not numbered here: Miles Davis - Kind Of Blue Flippers gonna flip, I get it, but sometimes you can do something about it and maintain the same quality. 1A/1D. Similar pattern of asymmetrical lacquer pairings e.g these found . That's a killer disc all right, and the 5(3).1 is a wonder to behold. No point now crying over degaussed tape or whatever happened. 2 sense. Regarding vinyl it is felt that the 2014 mono vinyl release is the sane way to go if you want the best sound up til the White album. All other pressingseven the re-released copies from second and third generation mothers in 1959 and 1960 which sound very very good, are not the original artthey are approximations made at a later date with mastering notes recalled from the original session. It's my understanding that the Columbia curve was only used until 1955 or there about. Ebay auctions of Kind of Blue on six-eye label over last three years where, seller identified matrix on both sides (198 commercial releases, 218 in total including twenty promos). It's truly stupid for vinyl sellers like Insound.com to sell those things. http://www.musiconvinyl.com/catalog/miles-davis/kind-of-blue-mono#more. Discussion in 'Music Corner' started by Adagio, Jun 27, 2021. Some EQ was used as was a bit of limiting. There are pictures of some of the models as well. If so, you bought a different version. He is a true magician when it comes to breathing life into music. The four variations are offset pairs eg 1D/1H and 1H/1D.With D, G and H, and each letter is found as Side 1 and Side 2. 2011 Vinyl LP Not Now / NOT2LP145 Kind of . Dynamic range doesn't seem terribly reduced, more that the overall level has just been raised. a bar in Copenhagen. Reddit and its partners use cookies and similar technologies to provide you with a better experience. I purchased one of the Dino-Lite USB microscopes and intend on using it to see how well my RCM is working. Another, more welcome, discovery on inspecting the master tapes was that a complete alternate take of one tune still existed. How many times have I seen one of the most mediocre albums I've heard in my life be named the album of the year? Give me a rest from dissecting records. 2001-2023 Head-Fi.org. They occur in offset mirrored pairs H/D D/H, D/G and G/D, just one exception a mono promo 1D/1D has been found, so matching plates did sometimes occur, though in every other case, they do not i.e there was a process and reason behind selecting unmatched pairs, not a random or chance selection. Desktop 2.1 speakerrig: Lenovo IdeaCentre A730 Windows 8.1 PCFoobar 2000 /Spotify PremiumFiiO E17 DACFiiO E09K headphone ampLepai LP-2020A+ amplifierPolk Audio PSW10 subwooferDayton Audio B652 bookshelf speakers. . One even declared it was the first pressing because the matrix suffix started with a 1 (simply original tape mix, like all). The problem is when people resort to subjective comments based on personal taste, not objective criteria. All promos (and very early commercial pressings) have the Side 2 track-listing error. They can't find the tapes. One of the quirks of jacket manufacture was the code used by the giant fabricator Imperial Packing, Indianapolis, changed according to the pressing plants it was supplying 4 for US Central (Terre Haute) and 6 when supplying West Coast (Hollywood). But sometimes a new remaster can bring new life to old records, yes even a better sound, especially for the bass and drums, yet, what came out in the later fifties and early sixties almost can't be beat. I just bought the 24/192 versions of KOB (mono and stereo) and they sound great. Since I was just listening to this new reissue from Sony on mono, I thought I would revisit Mikey's writing about it. But most importantly, the music experience is complete and organically "whole," making a strong case for the superiority of the mono mix. The Crossword Solver finds answers to classic crosswords and cryptic crossword puzzles. "Scarborough Fair" sounds better in mono, but the rest of the "PSRT" album is killer in stereo. In all likelihood they simply canned the misprinted labeland replaced it with a fresh print-run, as Macero requested. The "mono is only 1 so it's less than 2 therefore it's worse" is a very beginner mindset. Around a quarter were code 2 (Brooklyn) , three quarters are code 4 (Indianapolis) and just one 6, (also Indianapolis when supplying jackets to West Coast pressing plants). The stereo is better seperated. Taking anything anyone sayson the Internet or otherwise, but especially on the Internetwith a grain of salt when it comes to sound is more than a healthy approach and ultimately the one you can trust the most (hopefully) is you yourself and your own ears. Read John Marks' account of hearing the three-track master tape at Sony Studios. no I don't) are now in very poor condition even though they sat untouched in the vault from 1959 until 1992. . Bummer. Not cool. I finally got the MFSL 2x45 after holding out for a later press due to reports of some early ones being off centre. The Sonys don't sound bad by any stretch, I just prefer the MoFi's more relaxed sound. If you mean at the beginning I'd say that is "sympathetic vibrations" and microphone leakage. 2020 Japanese reissue. 8 Decca? That said, they are BOTH fantastic. Mono feels a bit more powerful because of the nature of mono. With 1D (different printer and pressing location?) Dylan and The Beatles were far more interested in the mono mixes because they knew that's how most fans would be listening at home and especially on the radio. Indispensable, LondonJazz is a not-for profit venture, but may occasionally take on work as a paid publicist and/or sell advertising packages. and E and F for Pitman N.J. Six (or more) sets of lacquers were usually cut for any big-name artist, so the very first mastering would be 1A,1B,1C,1D,1E,and1F. As mentioned before, I noticed the same "rightness" on RCA's mono vinyl of Belafone at Carnegie Hall. The Radio Museum website lists several Hoffman consoles from 1959 which is a plausible year for one of the early stereo "two-box" style consoles. The tracklisting sequence error went uncorrected on the jacket for a further three decades, though some sellers confuse the label error and the cover error suggest the error on the cover is somehow proof of original provenance. We know at least two sets of lacquers were sent to each plant, and possibly the offset was intended to distribute wear within lacquer sets. lacquer letter progression rapidly stops being a useful guide to the very earliest pressings. Mono/Stereo is a big zone of interest for all jazz fans and record collectors, why not give it another airing, with a new focus. Would you know which pressing that would be? Affiliate programs and Click here if you want this pressing without paying 4-20x retail (Come on now, you really should be ashamed of yourselves). ), the mono reissue is a necessity not an "add-on" option! Yes, its not as ethereally spacious, but it better layers and balances the instruments in my opinion and if you remain unconvinced that mono can produce three-dimensionality, this record will convince you. Mark Wilder let Stereophile editor John Atkinson thread the reel. The dates these came into operation were as follows: When KoB was first released in 1959, Columbia had three pressing plants, only it was a different itinerary from after 1963: Bridgeport, CT; Terre Haute, IN; and Hollywood, CA. Hence promos are all proven pre 11/59. G 7th; H 8th; J 9th; K 10th; L 11th;AA 12th; Since the mono tapes apparently no longer exist, recent monophonic reissues (yes, some people do prefer mono) were created by mixing down the three tracks on the backup stereo master to a single track. All Blues is a series of five scales, each to be played as long as the soloist wishes until he has completed the series. My guess is that at one plant alone, the press operators chose the stamper pair from one lacquer. Ron Rambach and I get these comments all the time on our Blue Note reissues for Music Matters Jazz. You might find this review informative: Now not quite so "new" to Head-Fi but not new to headphones, audio, music and especially jazz. KIND OF BLUE. 1D/1H, 1H/1D, 1D/1G, 1G/1D, no other letters were found. Only one -1A/ -1B/ or -1Cstereo six-eye was found, claimed as mythical 1B/1B of which I am highly sceptical. There are clusters around certain letters, for example 1AJ on Side 1 is found with Side 2 as 1AD, 1AE,1AF and 1AG. And it makes sense in local marketing expertise: getting promos to their local radio station disk jockeys. Either way he claimed that he hated the Sony releases. 6 Imperial Packing Co., Inc. of Indianapolis, IN when suppling West Coast pressing plant Milestone and Round About Midnight were mono-only titles. Stampers had a limited life of maybe around 4,000 pressings, well within the range of promo requirements, fits with one-plant theory, and distributed manufacture counter-theory. Columbia-CBS US (1961-67) The Six-Eye Columbias were the stars of Fifties audiophile recording engineering and pressing, however, however around 1961 corporate changes at Columbia were signalled by the introduction of the "CBS" name in addition to "Columbia". And, indeed, they are an audiophile delight. It is a sort of rattling sound. With Indianas convenient central US location, equidistant to East And West Coast, and a short distance for Illinois, it was possibly more economical to manufacture covers centrally and ship to pressing plants, but it takes some explaining why Kind of Blue promo jackets were manufactured at two locations, unless they were also being pressed at two plants Terre Haute and Bridgeport or even three, Hollywood, hence the code 6. I know that there are multiple versions of Miles Davis' Kind of Blue, there are the MFSL, the original mono and stereo LPs, the 200 gram stereo remaster, and I have listened to the album on YouTube, and 256kbps isn't doing the material justice. Mono and stereo promos were pressed in Bridgeport, and the label fonts were the exact same as would later be used by Pitman. The most frequently found are in, order of magnitude, AJ, AD, BC, AA, AE and AG. but failed to notice the CBS overprint and absence of deep groove. At 1D on both sides, Side 2 was found in both correct and incorrect track listing order i.e. The majority of 1A and 1Bmatrix pairs are found as Side 2 paired with a higher letter on Side 1 (e.g. I can understand why people rave over immense Klangfilm field coil open baffle loudspeakers in a single mono configuration. The masters were digitized and corrections/edits made. Lacquers used to press Kind of Bluestereo promos continued in use, except E, which joined the list of lacquers which were never used. (The fault in the tape recorder which caused this had been corrected by the time of the second session in April.) How would playback be different? For the conversion of the signal to sound, mono sound requires one channel. starbucks red cup campaign; best practice interventions debriefing; toni cornell height; shafer middle school staff; who are lester holt's parents; lift up the downtrodden meaning; They're very impressive for mono recordings. These identifiable early stereo pressingsare pictured below. A must have! It was my understanding that the 2x45rpm MoFi reissue we've been waiting two years for was going to be mono as well? Any recuts would be the next higher number for that plant. The Sony reissues are louder than their MoFi counterparts. I asked him about all the fuss surrounding the speed correction of the Sony releases. Flamenco Sketches), US first commercial release six eye label -Stereo, Early vs later pressing Side 2 stereo initialtrack listing error. A further five lacquers account for the next quarter of all mono copies: A, B, AC, AD, and AJ. All rights reserved. Mix - Miles Davis - Kind Of Blue Vinyl LP Review And Comparison What Version Is The Best Miles Davis, John Coltrane, Cannonball Adderley, and more Miles Davis - Kind Of Blue (FULL MONO LP. Regarding the mono edition, it can be argued thelacquers used to generate promos are the genuine first pressing, then 1A,1B and 1C and a handful of 1D among the very earliest commercial release copies, evidenced by the presence of the Side 2 label track-listing error. Who knows? I wonder how a fancy (like Mikey's German unit) or homebrew ultrasonic would do for getting the embedded plastic grunge off? They all sound good but the SACD is sublime. AB 13th; AC 14th; AD 15th; AE 16th; AF 17th; AG 18th; Released 17 August 1959 on Columbia (catalog no. IIRC the original Kind Of Blue Mono tape masters no longer exist so using an original mono pressing the mono mix was 'recreated' from the 3 track tapes. CL 1355; Vinyl LP). Complete 1st Label Reference Set: Stereo(1961-78), Prestige records labels 1951-82+overview, NY yellow/black fireworks label all titles ReferenceSet, Bergenfield black silver fireworks stereo label (1959-71) all titles ReferenceSet, Bergenfield yellow/ black fireworks label all titles ReferenceSet, NY label data table: cover and label text, etchings, for eachtitle, Prestige Research Project: Summary of Findings(preview), Prestige Collectors data collectionworksheet, Collectors Guide To The US Riversidelabel, Disques Vogue The FlintermanCollection, Tips for buying records online,successfully, Chamber of Horrors when records gowrong, US pressing plant stamps and otheridentifiers, LJC record photography and vinyl rippingclass, High Fidelity, Decline of the Decades: PeterQvortrup. that is no longer there. The two bonus tracks are of particular interest. The three-track recording produced three distinct channels and nothing you could legitimately call "stereo". You are using an out of date browser. The stereo presentation revealed more air, more detail and more sheer life than the mono. It looks like all of these were mixed at 24/192k (not in the analog domain). BJ 31st; BK 32nd; BL 33rd; CA 34th; CB 35th; CC 36th; I'd say 4th pressing since 1A,B,C were first pressings (A to NJ, B to Indiana, C to CA) and so D,E,F, would be second press, G,H,I would be third and J,K,L would be fourth (etc.). The vinyl isnow secondand the SACD is third on the list (IMHO). There is no matrix-based code reason to believe a pressing off a 1BJ stamper will sound any different or better than one off an 1A stamper. He is loved and well know by audiophiles and musicians all over the world. Or so Conventional Wisdom suggests. The two stereo tapes were stored safely in a vault for over three decades before anyone thought of taking them out for remastering. Should the Miles mono reissues ideally be played with a mono cart? Seven of these albums - 'Round About Midnight, Miles Ahead (both 1957), Milestones (1958), Porgy And Bess, Kind Of Blue (both 1959), Sketches Of Spain (1960) and Someday My Prince Will Come (1961) - are familiar classics which saw Miles rise to prominence as an architect of the hard bop style of jazz before revolutionizing the genre with ventures Genres: Modal Jazz, Cool Jazz. And sometimes each version has its own equally attractive but different qualities.

. Hoffman: Or "Your Mother Should Know." However, on Beatles For Sale, the mono version really bites because they worked so hard on it; it's so compressed and harsh sounding. There must be a mechanical reason why they are mostly though not always offset mirrored pairs (Side 1 stamper from one lacquer, side 2 stamper from another lacquer)and not symmetrical pairs (e.g.1E/1E), possibly to run two presses simultaneously, or to ensure metal sets from each lacquer wear equally, but that is for another day. Stereo Audio Files. There is no real distortion on any version of KOB that I own but there certainly IS the sound of reeds vibrating. The 50th Anniversary issue is a pretty blue color! There are also six missing lacquers, matrix code letters not found on either side on any stereo six eye: C, D, F, G, K and L. We now know where lacquer B went (or at least mothers derived from it): Canada. the Amazon Associates Program via amazon.com. At their web site? Keeping them separate and sending them left, center and right produced "stereo" in name only. But just to make it crystal clearTao has gone on record many times to state he was always futzing with the speed of Miles's tracks to make sure the "groove felt right". A lacquer includes Side 1 and Side 2. Why didn't they use the orginal mono tapes? I plan on making a home brew unit soon, $600 to do it right. It's not distortion. You can 'see' further into the mix and hear a clear delineation of direct and echo chamber sound as well as what sounds like 30th street studio room sound. Only the letters A to L were used, excluding I: A 1st cutting; B 2nd; C 3rd; D 4th; E 5th; F 6th; G 7th; H 8th; J 9th; K 10th; L 11th; AA 12th; AB 13th; AC 14th; AD 15h etc -. Progress, what is it with that word that it manges to bug me so often? A plant didnt get the memo and carried on using old pre-correction labels. Looking forward to this reissue, like all of Miles' albums I have both Mono and Stereo originals (1C Mono KOB). Promo Cover Fabricator (update April 13, 2020). Once it's released, you can't go back (I am talking to you George Lucas). ORIGINAL! Kevin Gray: Columbia used PAL and PBL prefixes for side 1 and 2, and A and B suffixes for the Santa Maria, Ca. The very few commercial mono copies were found with matrix codes in the range 1A to 1C on both sides (five records only in the sample, they are very rare), all had the Side 2 track-list error. Even more amazing that no one has taken on a project to "clean it up", or to maybe offer a cleaned and an uncleaned version side by side, so as to appease the purists. Miles Davis "Kind of Blue" Monophonic Reissue From Sony/Legacy: An Analog Planet Exclusive! I saw Arthur's comments about distortion and as I was listening I instantly understood what Arthur was commenting on. Flamenco Sketches was wrongly listed as the first track, and All Blues as the second. Record comes packaged separate from the jacket, in a plain white cardboard sleeve and a Nagaoka-style clear half-moon inner sleeve. The reissue's mix down from three tracks to one has been so skillfully and carefully done, even veteran mono KOB listeners might have difficulty guessing the source were that the only criterion. Those lacquers existed, and were put into service from 1963 onwards until the early. The prime stereo tape recorder had been running just over one percent slow, so on playback and during the mastering of albums it ran a little fast. More drive, more punch. These command a significant price premium at auction. Barcode and Other Identifiers Barcode: 4 547366 450958 Other Versions (5 of 502) View All Recommendations Kind Of Blue Miles Davis I've had 3 different people reluctantly follow my advice to buy the Ryan K Smith mono mastered KOB pressing and it's now by far their favorite pressing. About these vinyl. Is that it? Without your info, I'm sure it would have been a lot more work for me to build up my system and collection of records. 1A/1AE)with the Side 2 track-list error corrected, so stereo lacquer 1A was used only in later pressings, not in any early stereo pressing run. Of all the large number of combinations of lacquer pairs, just two stand out as being symetrical: 1D/1D and 1J/1J. Its a double album, with the first LP offering the record in its original stereo form (speed corrected, of course) and a second disc featuring the first take of Flamenco Sketches on one side and a version of Green Dolphin Street on the other. I'm happy that people you know upgraded but my fear is that many young people will hear their vinyl degrade and then lose interest. If people didn't buy their products, then they wouldn't make them. Also what comes to trusting the recommendations of people on audio forums, I stopped paying any attention to what critics of any kind music, audio, or otherwise have to say years ago, but the people who write their opinions on audio forums I have equally low faith in. You have no way of proving whether their opinion is biased or not and your own opinion of them possibly being biased could be claimed to be biased in itself. Anyone who thinks this has never been in a proper recording session and doesn't know any real recording engineers. Pour a glass or cup of your preference and press play. The most frequently occurring matrix code on mono pressings is D, which was also used in manufacturing promos; after that, AC, AE, and AJ. Back in 1992 Wilder discovered the KOB speed anomaly that resulted in side one of the original album being slightly sharp in pitch because the 3 track recorder was running slightly slow during the recording session. Columbia was a major, not the sort of small operator that would use up wrong labels to save money. It was remixed properly. When used as one center channel in an old school mono configuration, the sound stage/window can be rather small and wimpy, unlike live performers spread out over a real stage. John Marks' account of hearing the three-track master tape at Sony Studios, I don't know a lot about record store day. Metal from 1A and 1B lacquers was still being used some years later, mix and match. Hopefully I can find one to buy on Record Store Day. D is found in every permutation, including with A. G and H are never found paired with each other, or at least not found in my sample. KoB was recorded onto 3 machines, 2 for stereo and 1 for mono. Hi michael, Do you know about Music on vinyl in EU. November 29th is mentioned here. The SACD always sounded kind of tubby/boomy but the CD is awful compared to these new files. Another great mono is Dave Bruebeck's "Jazz In The USA.". Macero wasn't even in the same time zone during the second KoB session; he was in LA producing Dave Brubeck's Gone With The Wind, his first production. Your phrasing that mastering did the fold down is incorrect. Though many different permutations eventually occured, almost half of all mono copies were pressed from only three laquers: D, J, and AE. Looking forward to Jazz Track too. ), Forum Policies, Rules, and Terms of Service. Manufactured & distributed by Music on Vinyl B.V. for Sony Music, It looks like you bought this pressing of KOB. I had the pure joy of borrowing a long-time friend's 6 Eye mono . A known unknown. Both the mono and the stereo originals display the same pitch problem, that went un-corrected for decades. For some records, possibly. It may not display this or other websites correctly. Instead of three lacquers, over thirtywere in use, out by a factor of ten. Quite a lot, as it happens. None of these letters ever appear at any later date up to modern times. Sony Legacy were mono, see Michael Framer's review in Analogplanet.com. Create a free website or blog at WordPress.com. A stereo record contains separate left and right channel information on each groove-wall at a 45-degree angle from each other.The groove is a more complicated shape with both lateral and vertical information. I just finished comparing the HD tracks 24/192 wave files with theJapanese SACD and the Legacy vinyl (not the poorly pressed blue vinyl). In no special order, a handful of lacquers were selected to press white label promotional copies for distribution to reviewers and disk jockeys mono (red text label) and stereo (black text label), with the text DEMONSTRATION, and NOT FOR SALE on the label.

What Happened To Criss Angel 2021, Is A Place In The Sun On Tv Today, Maneuvering The Middle Llc 2017 Worksheets Answer Key Linear Relationships, Tupelo, Ms Houses For Rent $600 A Month, Polk County Iowa Assessor Property Search Beacon, Articles K