4K resolution: 11.6 million total pixels and 8.8 million* effective pixels deliver 4K resolution. In that case, regular ProRes or DNxHR encoding is also available. With a locking mount, it reduces lens play and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. FS-5 Audio Channels : r/videography - Reddit Because of the cost, we would most definitely label the ideal users of the FS5 as professional. All of these cameras were released at a time when they didnt have any direct competition. What we wed have really loved to see is the low light capabilities of Sonys a7S II put into a better form factor with easier controls and XLR mic inputs. 4 channels of audio? at DVinfo.net There are a few notable changes between the two cameras, namely a different codec with XAVC Long, 4K shooting in only UHD without the option for DCI 4K and a built-in variable ND with the addition of a linear adjustment from 1/4 to 1/128. While the FX6 control and button placement look very similar to its big brother the FX9, if you look closely there are quite a few differences. First up is the Canon C200, the closest in weight to the FS5 II, though its just less than twice the weight. Sony touts 14 stops of dynamic range with the FS5 II. AC Adapter: 12 VDC This did not work, Camera Audio Settings: On Channel 1, I have selected Int Mic and on Channel 2 I have selected Int Mic as well. Multi Interface Shoe (MI Shoe) adaptor for URX-P03D (Dual Channel), 128GB, 64GB and 32GB ultra high durability Memory Cards, 17-inch cost-effective, lightweight basic grade Full HD LCD monitor for versatile use, 24-inch cost-effective, lightweight basic grade Full HD LCD monitor for versatile use, Two-channel simultaneous battery charger/AC adaptor for BP-U90/U60/U60T/U30 Lithium-ion battery, Battery charger/AC adaptor for BP-U90/U60/U60T/U30 Lithium-ion battery, "Grab and shoot" Super 35 handheld camcorder with stunning new creative look, 4K 120fps HFR and HDR, Mount lens system, Variable ND Filter, 4K/2K RAW and XAVC recording, Approx. There is also a smart grip that again looks very similar to the one that was found on the FS5. The processor is claimed to be able to read the sensor 3x faster than the a7S II and 2x faster than most traditional mirrorless hybrid sensors. Unlike the FX9 that has controls for four channels of audio, the FX6 only has physical controls for two channels of audio. Is it everything on you want? The camera has been designed to be very modular. Or do I need to print a timecode track to the audio channel? Starting at the lowest ISO and ramping up to the highest, while adjusting the shutter speed to compensate, we look for where noise is introduced in the picture. Audio Input: 2 x 3-pin XLR Reply to this Discussion! Click here to contact a sales representative and request a media kit. Although in saying that, with a lot of people using speedboosters on S35 Sony E-mount cameras there is clearly a demand for the full-frame esthetic. Amazing shots are captured using a drone, gimbal, car-mount and more that really demonstrate the flexibility of this super-lightweight, modular 4K camcorder, An on-location interview with Producer Den Lennie and DoP Mick Jones reveals what impressed them most about what they call the little brother to the FS7, Den Lennie and Mick Jones use Sonys extraordinary PXW-FS5 to shoot stunning visuals from New South Wales, Australia, From sunny beach scenes in Sydney, Australia to night-time Tokyo, test footage with a variety of different lenses and exposures reveals the quality of Sonys FS5. Camera Audio Settings: On Channel 1, I have selected Input 1 on and on Channel 2 I have selected Input 1 as well. Even with all of that, the price is lower than that of the FS5 was when that camera was first released. The only way to get UHD 120P out of the FX9 is via the expensive and cumbersome XDCA-FX9 extension kit and record it externally to an Atomos product. Viewfinder: 0.39 / 0.99 cm OLED 6 hours, 40 minutes [60i], XAVC QFHD : MPEG-4 AVC/H.264 4:2:0 Long profile, XAVC QFHD (3840 x 2160) @29.97p, 25p, 23.98p 100Mbps/60Mbps, 0.16Lux [60i] IRIS F1.4, GAIN Auto, Shutter Speed 1/24), 1000 TV lines or more (1920 x 1080i mode), XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable, BNC type (x1), SD/HD/3G (Level-B) selectable, 1.0 cm (0.39 type) OLED Cookie Notice With a maximum bit rate of 100 megabits per second in UHD 4K, it can also capture up to 120 fps in 1080. Timecode genlock with the FS5 - DVXuser.com -- The online community for New comments cannot be posted and votes cannot be cast. Given the small megapixel count, this camera will only ever be capable of recording in resolutions of 4K. Sony offers an impressive mirrorless camera lineup, but these cameras have a 30-minute record time limit for video clips, offer only a 1/8 inch audio input and dont include ND filters. However, because it doesnt allow for internal 10-bit 4K video, youll need to purchase a monitor/recorder to get the most out of it. The FS5 features Sonys unique built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. A flip of a switch and you are ready. This did not work. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content, S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading, CBKZ-FS5HFR* enables continuous 120fps in Full HD, CBKZ-FS5RIF** enables continuous 240fps in 2K RAW and maximum four seconds of 120fps in 4K (with a suitable recorder). Button 4 is labeled focus mag for gaining sharp focus, but both buttons can be assigned to whatever youd like. the camera in the box is actually good for more than five minutes of use. Sony PXW-FS5 II review: Still awesome! - Videomaker You have to do this in the menu on the FX6. Key Features Ninja V+ 5.2" 8K HDMI Recording Monitor Accessory Kit with Batteries & Charger Screen Protector, Sun Hood, Travel Case Master Caddy II, SATA III Cable Add a full monitoring and recording kit to your camera rig with this Atomos Ninja V+ Deluxe Starter Kit put together by B&H. All the configurations you posted above notably dont include using input 2, where your mic is plugged in.This assumes youve got something else, like a shotgun mic, in channel 1. However, if you have the storage space and the workflow to support shooting in 10-bit, its a very nice luxury to have. The FX6 works with Sonys Content Browser Mobile. The location of the ND is the same in the FS7; its easy to find and the grip is textured for an easy turn. Should you purchase the Canon EOS R8 for video? Lastly, itd be awesome for Sony to give this high-end camera a full frame sensor, but now were just dreaming. The size of the camera body is surprising its smaller than you might think but this version includes in the base package both of the upgrade packs available for the original FS5. The FX6 doesnt feature any type of IBIS, instead you need to use post stabilization to improve shake. Alas, that might be Sonys next camera, but for today well just have to stay in want. However you want to shoot, the FS5 adapts to fit your style. Itd be nice to not have to deal with that much light. Want to change the white balance? Yes, you could very well argue that capturing at a higher resolution allows for more flexibility with reframing in post or downsampling to get a better 4K image, and those are good arguments, however, if you are capturing in 4K and still delivering in HD (which a lot of people are) you dont need resolutions above 4K. Last is the Blackmagic Design Ursa Mini Pro 4.6K, priced at $6,000. Sony PXW-FS5 $6,899.00 at Amazon $4,248.00 at B&H Video Tech Specs: Sensor: Super 35mm Single-Chip 11.6MP Exmor CMOS Effective Picture Size: (H x V) 3840 x 2160 LCD Monitor: 3.5 / 8.8 cm Viewfinder: 0.39 / 0.99 cm OLED ND Filter: Variable: 1/4 to 1/128 Presets: Clear, 1/4, 1/26, 1/64 Sensitivity ISO Rating: 3200 (S-Log3 Gamma) If its a video-centered interchangeable-lens camera you are after, the FS5 is best in its class. A detachable Smart Grip puts all of the FS5s key functions at your fingertips and is easily adjusted with the press of a single button. The XLR inputs are located on the handle, so if you remove the handle you will lose those inputs. The FX6 is going to start shipping around the same time as the Canon C70 which it is undoubtedly going to be compared to. If they had have put the FX9 sensor in the FX6 then they would have had to cripple the camera by reducing frame rates, codec options, etc. You said the mic is plugged into input 2: On your XLR settings, on Channel 2, select input 2. Consider becoming aPatreon supporterand help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. A good proportion of people who were interested in the FX9 have already bought that camera, but it is heavily back-ordered in some places around the world. What is your reaction to this announcement? I was wondering if anyone on this forum might assist me resolve this issue. HVL-LBPC light does not draw power from FS5. The grip offers a joystick for menu navigation and, of course, a record button. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The FS5 II is the obvious next step when moving out from behind the photo first camera that can shoot video to a camera designed specifically for video capture. It is unclear whether you need the CBK-WA100/101 Wireless Adapter to be able to do this. Use the condenser microphone included in the camera kit (side pocket of the bag). At $ USD the FX6is competitively priced when you look at its main competition. They dont work in the S35 mode. It just clicks in no tightening needed. This mount is fully compatible with E-Mount lenses and supports all electronic connections. Also available is FS5 II which has continuous 120fps HFR recording in Full HD and FS RAW output as standard plus an enhanced creative look. The FS5 is built around a high-sensitivity 4K Super35 Exmor CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion. Sony didnt have a tendency to cannibalize their line up, but I think now because of competition from competitors, they kind of have to. SONY PXW-FS5 OPERATING MANUAL Pdf Download | ManualsLib At ISO 12,800, the size of the noise gets larger. At first, the grip felt strange because it requires multiple fingers to operate. Raw, 2. So does the electronic ND. Privacy Policy. Despite a large range of full-frame mirrorless hybrids being available, the FX6 could arguably be considered the first truly affordable full-frame digital cinema camera from one of the large Japanese manufacturers. The air intake and exhaust are both on the non-operators side of the camera. A site for working professionals in the TV & Film industry, Sony XLR-K3M Dual-Channel Digital XLR Audio Adapter, Intellytech offering Lumenradio CRMX on LiteCloth 3.0 RGBWW models, RED patent lawsuit against Nikon dismissed, Simmod Lens announces Tray-mounted & Screw-in Diopters, 2.4 GHz, 5 GHz Wi-Fi Video Output, Control, FFcrop 5K (4K DCI at up to 60p recording), Super 16 Mode (coming in a firmware update), Compatability with the XDCA-FX9 Extension unit. Best Mirrorless Camera For Video: Panasonic Lumix S5 II Reviewed! 1. The camera is impressive, and for shooters who need their tools light and ready for anything, the Sony FS5 II is a camera that shouldnt be overlooked. The C-100 Mark II is a bit cheaper but doesnt offer 4K. To test the moir of the camera, we shot our DSC Sine Chart. Demand for HDR content is increasing and FS5 offers you a choice of two powerful workflows. The larger screen is nice, but not always necessary. This LCD screen can be moved around and positioned in a variety of places on the camera. Page 26 Sony FS5 Audio Controls. Creative tips and inspirational stories for filmmakers. The FS5s E-Mount can take cinema lenses and SLR lenses with a third-party adapter, as well as Sonys E-mount and A-mount lenses. Extend the capabilities of your professional hardware. Its not a deal-breaker by any means, but its something to be considered. Insider details on how to engineer the best Super35 handheld camcorder. Take a similar-sized sensor to the a7S III and put it into a larger body with XLRs, SDI, Variable Electronic ND, and TC In/Out. **S&Q 1-60fps and 100/120fps are available in these modes, however, 100/120fps is not available when outputting RAW over SDI. With this setting you will just get 2 channels from the FS5 if there is audio on both. Chris Monlux is a native of Northern California and is Videomakers Multimedia Editor. Solid-state memory camcorder firmware update ver. The FX6 falls clearly into that under $10K category. Just like on the FX9 you can load up user LUTS as well as scene files. *S&Q 1-60fps and 100/120fps available in these modes. Continuous 120fps high frame rate recording in Full HD. People may be asking why it doesnt use a larger megapixel sensor or why it doesnt shoot in resolutions over 4K, but in my personal opinion, it doesnt need to. It will pick up room noise. The value for us was just not there with the PZ 18-105mm f/4 G OSS; wed just rather spend the saved money on a better piece of glass. Page 19: Attaching The Microphone Grab and shoot with Sonys entry-level 4K Super 35-mm camcorder. Overall, the picture quality from the lens was nice, but its functionality was not so impressive. The only monitoring for the camera comes in the form of the 3.5 1280720 LCD touchscreen. HDMI 2.0: 1 x Type A Sony FX6; Sony FS5; The FX6 isn't a massive departure away from the form factor of the FS5. A CUBE file (*.cube) for a 17-point or 33-point 3D LUT created using RAW Viewer or DaVinci Resolve can be used. 1.44M dots, Omni-directional stereo electret condenser microphone. Does anyone know if the Sony Fs5 has a timecode input (even if it is optional like the fs7)? Chris Monlux Videomaker's Multimedia Editor. When you need dynamic range, shooting in log is the way to get it. A high resolution 0.39-inch OLED viewfinder enables precise manual focus and is perfectly offset for right-eye or left-eye viewing. To appease FX9 owners, Sony could possibly enable a 6K output and let you output RAW directly over SDI instead of using the XDCA-FX9. Part one of Alister Chapmans expert camcorder advice. Because its light enough, neither angle is a chore to shoot. If you have a great idea youd like to share with our readers, send it to editor@videomaker.com. It felt nice in-hand, allowing simple shooting at both low and high angles. and our Page 17 Sony FS5 Audio Controls. SONY FS5 QUICK START MANUAL Pdf Download | ManualsLib Once in New York City, we shot around and in the High Line urban park area. The thing to be aware of is that, because of the new color science, footage from the original FS5 and the new Mark II wont match out of the box. We tend to expect a lot with camera releases, and sometimes that involves having unrealistic expectations. The FS5 offers High Frame Rate (HFR) cache recording at Full HD 10-bit 4:2:2 image quality and a frame rate of up to 240fps. On the other hand, part of the benefit from the newer S-log3 is its capability to work with more than 14 stops of dynamic range, so its advantages are wasted on cameras with a smaller dynamic range. It was just too touchy. It looks very similar in a lot of ways, however, you will notice that there is no longer an EVF on the back. It has a power zoom function with a consistent aperture through the throw of the lens. The camera does not offer any moir issues. There are two options for slow motion: "S&Q Motion" and "Super Slow Motion." Of these, the Super Slow Motion has a lot more options. Before we get into our experience with the FS5, lets rundown some of the noteworthy specs. Its our most affordable Super 35-mm camcorder, but its fully upgradeable. Add $1,300 to account for the cost of a Shogun Inferno to the FS5 IIs base cost of, Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters and a 1/4 to 1/128 Stop Electronic ND Filter. S-log2 offers more dynamic range to cameras with 14 stops of dynamic range or fewer. The sensor in the FX6 should allow you to comfortably shoot in very low light environments without generating a lot of image noise. Shooting from midday to about dusk, we were able to challenge the dynamic range in situations that had dark shadows and bright sun light. Sony says that the new color science should offer rich mid-range colors, alluring facial tones and a softer tonal look. We agree that the camera has a new look. Just like the FX9, the FX6 isnt capable of recording in any anamorphic modes. The FX6 is an intriguing camera and its release signals that Sony has had to reconsider its strategy when it comes to producing cameras that start to overlap with some of their higher end options. *S&Q from 1-60fps is available in these modes, however, it isnt available if you are outputting RAW over SDI. . FS5 offers 9 pre-Programd Picture Profiles, including ones customized for S-Log2, S-Log3, plus a profile tuned to provide vibrant, high contrast visuals for creators who desire a DSLR-style look. We most definitely recommend it if youre in the market and it fits your needs. The FX6 can utilize a range of compatible accessories. We love the electronic ND filter and are impressed by the video quality captured externally. The enhanced Fast Hybrid AF system has customizable AF transition speeds and sensitivity settings, and also combines phase-detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. Gain Selection: 0, 3, 6, 9, 12, 15, 18, 24,27, 30dB, Switches and knobs are not valued highly enough when evaluating many small form factor detachable-lens cameras. I asked Sony if the dynamic range is reduced when you are using this High Sensitivity mode and I was told that they feel that is is fairly comparable to the normal base ISO of 800. A Series of Video Tutorials for both ILC and Pro Camcorder. . By utilizing this smaller megapixel sensor in the FX6, Sony can give you UHD at up to 120p with full pixel readout and no pixel binning. What is quite strange is that the positioning of the sensor and the lens mount seems to be quite high up on the body of the camera. According to Sony, not many users were actively utilizing the rear EVF so they decided to get rid of it. Keep that in mind as we cover the competing cameras. The FX6 utilizes the same BIONX XR image processor that is found in the a7S III. Key Highlights Super 35 Exmor CMOS Sensor 360 Rotating, Detachable SmartGrip Onboard 4K Recording See All $4,249.99 Add To Cart Recommended Products Fujinon Fujinon MK 18-55mm T2.9 Compact Cine Zoom - E-Mount $3,799.00 Add To Cart CameoGear Given its feature set and capabilities, there really isnt any reason why it couldnt be used by anyone for anything. Maybe not, but it might just be everything you need. This is something that we are now slowly starting to see appear on lower priced digital cinema cameras. The dedicated 627-point phase-detection AF sensor covers approximately 95% in width and 94% in height of the imaging area. Lesson 11.1: Sony FS5 You can choose 120, 240, 480, or 960 frames per second recording, as well as whether to trigger recording at the start or the end of the action. Since the camera has two XLR inputs of its own, I've gathered two of those are meant for use with an accessory device. Some wont take advantage of the ProRes RAW option because the format can currently only be edited in Final Cut Pro X. This alone makes the FX9 a more appealing proposition for certain shooting scenarios. The Kinefinty MAVO LF and MAVO 6K S35 could also potentially join this conversation. For our review, we shotmostly on the Sony G-Master 24-70mm f2.8 lens. Also, those high frame rates have a limited record time, though many things you want to capture in high frame rates only last a few seconds anyway. The built-in microphone. FS5 II Handheld Camcorder - 4K HDR - Sony Pro FS5 II Handheld Camcorder - 4K HDR - Sony Pro If you need some of the advantages that an FX9 offers, buy an FX9. Lets have a look at how the Sony FX6 compares to these other options. With this system, you can also do things like adjusting the depth of field in real-time as the variable ND will compensate automatically when you make changes to the f-stop. Sony Manuals Camcorder PXW-FS5 Operating manual Sony PXW-FS5 Operating Manual Also See for PXW-FS5: Firmware update (86 pages) , Software update (22 pages) , Operating manual (200 pages) 1 2 3 4 5 6 7 8 9 10 11 12 Table Of Contents 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 Because of the low megapixel count, the sensor readout is extremely fast, and this means that the rolling shutter will be almost non-existent. Eye-popping specifications and marketing hype sell cameras, and the FX6 certainly has a lot of that going for it on paper, despite the fact that it is only a 4K camera. Once we began shooting, there was no avoiding what we experienced first when shooting in S-Log3: a minimum ISO of 3,200. Just a few knobs to loosen and the location of the LCD can be personalized. These include: Essentially, the only real advantages the a7S III has is that it can take photographs and it has a built-in EVF. When you need dynamic range, shooting in log is the way to get it. The FS5 and lens use Sonys E mount. It has also has two XLR inputs and a hot shoe. In my opinion, there is no such thing as future proof. According to Sony, by recording image stabilization information and using it on the Catalyst Browse/Prepare option, content creators can capture incredibly stable visuals even in handheld mode. Page 27: Audio Inputs Audio Inputs The camera has a built-in stereo microphone on the handle. It features 14 stops of dynamic range, applicable to both raw and XAVC recording as long as S-Log is turned on, for truly filmlike rendering of highlights . Even though the FX6 only has two physical audio control dials on the body, it is still capable of recording up to four channels of audio. Anybody compalining that they were expecting an FX9 in a smaller body with the same features for less money is living in a dream world. The size of the camera made it easy to pack and carry on to our flight. With the PXW-FS5, the speed of the menu operation is a non-issue. Reddit and its partners use cookies and similar technologies to provide you with a better experience. I personally have my doubts about whether they will do either of those things. The picture quality is superb and the form factor is easy to use. Given the target audience for the FX6, this is something a lot of users are going to appreciate. Sony has literally done what a lot of people were hoping they would do. You need to be aware that the FX6 does not come with an external microphone. The expanded flexibility of having onboard XLR inputs, a grip that makes handheld shooting easier and linearly adjustable ND will make catching the right moment easier, allowing for better results. The AF system is also claimed to work really well in low light situations. It offers wireless file transfers of full resolution via Wi-Fi to an FTP server, plus wireless streaming to MPEG TS receivers and computers for remote monitoring. One last big improvement over using DLSRs or mirrorless cameras is that all of your controls are at your fingertips and not in-menu. ), Settings for the Wi-Fi Function (CTRL W/SMARTPHONE, Etc. There are several mirrorless cameras that would get you into UHD 4K at less than half the cost of the FS5. HFR 3. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. FS5 is all about choices. Once shot, all we needed to grade the S-log3 footage was a simple LUT. MPEG HD422 and MPEG HD420 for broadcast applications. The EVA1 is heavier than both the C200 and FS5 II at 4.5 pounds naked. When the FS5 originally came out 5 years ago it didnt really have any competition. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. It will be interesting to see how many potential FX9 buyers will now be rethinking their decision. On the other hand, part of the benefit from the newer S-log3 is its capability to work with more than 14 stops of dynamic range, so its advantages are wasted on cameras with a smaller dynamic range. You cant have your cake and eat it too. Sensor: Super 35mm Single-Chip 11.6MP Exmor CMOS To extend recording time and workflow flexibility, the FS5 is equipped with two SDXC/SDHC card slots. For wider shooting, the 16-35mm F.2.8 G-Master lens would work well. Now, lets talk a bit about the ND it is the best part of a great camera. The FX6 certainly does tread on FX9s shoes. Which on m2 has different color science on pp1, but when you shoot slog 2 and raw or any other PP above 7, then the RAW out thru SDI is all the same. On theCamera Statuswindow, you can change: On theAudio Statusscreen, you can adjust: On theOutput Statusscreen you can adjust: It is good to see Sony do this because lets be honest, no one likes dealing with endless Sony menus to make changes. You can also view images from the camera in real-time on a smartphone running Content Browser Mobile. ), Slow & Quick Motion and Super Slow Motion Limitations, Camcorder Sony PXW-FS5M2 Operating Manual, Camcorder Sony PXW-FS7 Operating Instructions Manual, Camcorder Sony PXW-FS7M2 Operating Instructions Manual, Camcorder Sony PXW-X400 Instructions Before Use, Page 19: Step 2: Using A Battery Pack Or Ac Adaptor, Page 24: Step 4: Attaching The Handle, Accessory Shoe, Microphone, Lcd Screen, And Grip, Page 31: Step 5: Turning On The Camcorder And Setting The Date And Time, Page 32: Step 6: Adjusting The Lcd Screen And Viewfinder, Page 34: Step 7: Adjusting The Angle Of The Grip, Page 39: Continuous Recording On The Memory Cards (Relay Rec), Page 40: Recording Movies Using Both Memory Card A And B (Simul Rec), Page 43: Using Automatic Focus/Fixed Focus Temporarily (Push Auto Focus/Focus Hold), Page 45: Focusing On A Detected Face (Face Detection), Page 46: Changing The Recording Setting/Image Size, Page 49: Adjusting The Iso Sensitivity/Gain, Page 51: To Adjust The Amount Of Light (Nd Filter), Page 56: Slow & Quick Motion/Super Slow Motion Recording, Page 62: Recording Sound From An External Audio Device, Page 63: Adjusting The Audio Recording Level, Page 66: Downloading "Content Browser Mobile, Page 67: Using A Smartphone As A Camcorder Remote Control, Page 68: Connecting Without Using The Nfc Function (Android), Page 69: Connecting Without Using The Nfc Function (Iphone/Ipad), Page 89: Using The Gamma Display Assist Function, Page 91: Preventing Accidental Operation (Hold Switch), Page 92: Inverting The Lcd Screen Display, Page 96: Changing/Checking The Settings In Your Camcorder, Page 97: Checking The Camcorder Settings (Status Check), Page 99: Selecting Jacks For External Output, Page 111: Preventing Data On A Memory Card From Being Recovered, Page 112: Repairing The Image Database File, Page 149: Warning Indicators And Messages, Page 153: Function Limitations When Recording, Page 154: Slow & Quick Motion And Super Slow Motion Limitations, Page 155: Proxy Recording Supported Formats, Page 158: File/Folder Structure On The Memory Card, Page 161: About Handling Of Your Camcorder. Atomos Ninja V+ 5.2" 8K HDMI H.265 Raw Recording ATOMNJVPL1 B&H - B&H Photo In some ways releasing a camera in 2020 that can only record 4K when a lot of your competition is doing 6K and 8K might at first seem like a strange decision. Sony is claiming 15+ stops of dynamic range from the FX6, but I would take that figure with a grain of salt. Fujifilm X-H2S review: Fujifilms affordable ProRes 6.2K beast.

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