Axl knew how to work an audience. However inscrutable Michael Stipe's lyrics were, they always gave language to this weird, agonizing metamorphosis taking place in my head. One of Tina's big hits is called "We Don't Need Another Hero." But the thing that caught my eye: She was wearing a Fables of the Reconstruction T-shirt. They played like no other band. He's a pioneer of Latin rock & roll: His music was something new, but it was intertwined with everything else that was out there at the time Sixties rock, Latin jazz and more. When they came to Motown and teamed up with Holland-Dozier-Holland, there was no looking back. In 1976, I'd been in Fleetwood Mac for about a year when I heard Tom Petty's debut. When Ronnie went down in that terrible 1977 plane crash, the forward progress of the band ended. He once said to us, "You want to be like emissaries of light. When I was learning to produce, working in a home studio in my mother's crib, I tried to make beats that sounded exactly like Timbaland's, DJ Premier's, Pete Rock's and, especially, Dr. Dre's. What else was there? upd: well finally decided to add tablets/mouse models as well ;w; . We sang "Let's Stay Together" on that stage, and it was a milestone in my short, unimportant career. People don't realize how unique that is. And I hope he breaks into another grin from ear to ear as he feels "that's why I'm here.". That ticket cost about a pound or so. The only person who did anything similar to it was Bob Dylan, and even Bob Dylan was never that blunt. His melodies weave in and out and all over the place, and you can tell they just spring out of him. I must have done something right. I'd later become friends with David Ruffin when our bands would play in Detroit, Ruffin would come to every show and we'd sing "(I Know) I'm Losing You," a Temptations cover off my album Every Picture Tells a Story. As you read this book, remember: This is what we have to live up to. And then the guitars come in, and then the ambience comes in it's like several songs all blending into one. Carl himself was a very bright guy, and very funny. Based on votes and over 200 comments, we summed this one . It was precise and explosive and heavy. All bands should pay attention to that. That song was "Fight Fire With Fire." As a songwriter, Gram worked very much like I do, which is to knock out a couple of chords, start to spiel and see how far it can go, rather than sitting around with a piece of paper and a pen, trying to make things fit neatly together. He was so exciting to be on a show with. There have been solo albums and countless guest appearances too, though, and he's even found time to start his own music software company. And he was a great harmonica player. MCA was always the mature one, but he could be a fool when it was time to be a fool. "When I was young and full of grace/And spirited, a rattlesnake/When I was young and fever fell/My spirit? Of course it could, but few would deny that Keith Emerson is a worthy winner. They were called metal at the time, but they weren't: Metal isn't sexy, but rock is. His music is impeccable. Living in Oklahoma, I sometimes can't relate when English bands sing about English things. "Knee Deep" was their coming-out music. To this day, I believe that her voice could work on contemporary radio. And in that world, people weren't wearing Nehru jackets, smoking pot and jamming for 24 hours a day. Steven Wilson: "He's probably the biggest influence of all for me.I grew up in the 80s, and it was a pretty bad decade for music. They may have had three guitar players, but they understood restraint. With musicians, " motherfucker" was the love word. Zappa gave me the faith that anything in music was possible. It was like they were weaving a beautiful piece of cloth. Aerosmith did, because we grew up in that era. It's the ultimate fuck-off. It's outsider music. Matlock was cool, but Sid was everything that's cool about punk rock: a skinny rocker who had a ton of attitude, sort of an Elvis, James Dean kind of guy. To me, it all sounded like music from heaven. It belittles Radiohead to describe their music as having "hooks." He loved fishing, he loved sports. The riff in "Walk This Way" is just us trying to explore the blues in the Yardbirds model. But this was also the guy who did 87orchestral pieces like The Yellow Shark. The focus is on the songs and not the rock star BS that was taking over back then. I love all those other groups but with Pink Floyd I understand the emotion. Elvis' songs say, "I see you, and I know what you're doing." Obviously, he had great musicians on those albums: Bootsy Collins on the bass; Bernie Worrell, the best keyboard player I've ever heard. When My Chemical Romance were making The Black Parade, we watched tons of documentary footage about A Night at the Opera, Queen's best album. Following exhaustive searches to find the greatest pre-'80s, '80s/'90s and 21st-century keyboard players, we narrowed down our field of GOATs to just 15, and asked you to vote for the one true 'greatest of all time'. It was the cutest thing. You can think that it's all been written, but it hasn't. We'd try to change every one of our songs to try and capture their drumbeats. There's no point where Jonny Greenwood or Ed O'Brien will suddenly look up and say, "Where the fuck are we?" We waited all day for them to arrive. And Tom is such a great singer and so charismatic onstage. The Shirelles had a "sound," a word that people from the Sixties vocal-group era use with a lot of reverence. Send us a tip using our anonymous form. There are three kinds of record producers. I hope he reads this tribute of mine and recognizes what a great personal value his existence is to one of his colleagues. Each of the nominees had their merits and we should be grateful to all of them for lighting up our musical lives, but finally, we can count down the top 10 and reveal who youve voted the greatest keyboard player of all time. Not just a keyboard player, but a true force of nature, his bombastic showmanship gave him genuine rock star status. Ian Stewart 7. The reason I got a chance to play on sessions with him on songs like "Killing Floor," "Built for Comfort" and "300 Pounds of Joy" and a lot of musicians better than me didn't get those dates, was because they would come in thinking, "This is my opportunity to blow the Wolf offstage." Tina Turner knows who she is, and to this day, she remains one of the true greats. When he did, to me, I was getting paid. Her melodies are about shapes. The next time I saw them was when they got back together six years later, and they were amazing. In making The Downward Spiral, he encouraged the computer to misconstrue input, willed it to spew out bloated, misshapen shards of sound that pierced and lacerated the listener. I went backstage, and we hooked up. And Ginger hit them in a rhythmic style all his own that was extraordinary. In the Name of Love," "I Hear a Symphony" at the time, people thought those songs were disposable. It goes with me everywhere. Clapton has followed in the footsteps of his mentors: He's become a journeyman. We said, "Oh, shit." God, these guys have suffered, or they can fake it like nobody else. Do hip-hop producers hold Dr. Dre in high esteem? We would linger by the stage after our set and listen to Duane and Dickey Betts play guitar together. The shame is, I know how great the Yardbirds were. What the Yardbirds did is something you don't hear in today's blue-plate-special, cookie-cutter music. My favorite line is "Wet bus stop/She's waiting/His car is warm and dry" he communicates the entire song with those 11 words. Seeing them perform makes me even angrier. was totally a going concern. I don't mean to demean the roles the others played in the group's success, but it never would have happened without him. But it never happened for Wolf. On The Stooges and Fun House, while his brother Ron, the guitarist, was playing these loud bar-chord progressions, Scott was making the band rev and swing. You have swamp-boogie numbers of varying length ("Green River," "Born on the Bayou"), catchy energy bursts ("Fortunate Son," "Sinister Purpose"), pop ("Have You Ever Seen the Rain," et al.) Jimmy Rogers, who played in Muddy's band, used to laugh and joke about what Wolf had to say about Muddy and what Muddy would say back. That East Coast/West Coast feud was just personal beef. But the MGs were like a family. This is for real." Her influence on me is so obvious. Like I know the blues, Gram Parsons knew country music every nuance, every great country song that was ever written. I didn't know what "production" was back then, but I knew I loved the music. p.s. He had a tone and a style that were uniquely his. The Eagles forever changed country and rock, but I just think of what they did as being great American music. They did "Shapes of Things," "Beck's Boogie," among other songs. So he pulled back, like Dylan and Lennon did. When Paul's Boutique came out, it didn't sell as well as their debut. Contributions from Jenna Scaramanga, Amit Sharma last updated 16 January 2023 A comprehensive rundown of the best guitarists of all time, featuring the trailblazers, the early innovators, the best jazz, rock, indie, blues, metal and acoustic players - and the top guitarists around today. Heres how it works. Gerry Goffin and Carole King wrote "Up on the Roof." The crowd yanked all the chairs off the floor and piled them into a pyramid in front of the stage. But I've noticed that there's been a rediscovery of the haunting quality of Hank Williams' music. 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Our first cut writing for the Drifters was "Ruby Baby," which Nesuhi Ertegun produced and Johnny Moore sang lead on, in 1955. A five-minute-long bass solo is a sure ticket to commercial success. A lot of deep records like Pink Floyd's The Wall or Nine Inch Nails' The Fragile are dense, long journeys. This is a band getting very strung out, putting so much blood and soul into what it's doing, and for the most part looked upon as trash. But you could see them the band was right in the window. That's very necessary today, when irony is becoming a lost art. Mike D is the examiner: He looks around, he takes in all the information, he's a little laid-back. Thanks to a great arrangement by Stan Applebaum, the song showed us how rock & roll and strings could really work together. He expanded his sound during the '80s, particularly during his time with Whitesnake, and was working almost up to his death, in 2012. Carl Perkins' songs will outlive us all. That's the reason I wanted to appear on the Grammys with him when I was asked, despite all the nonsense talked about his being homophobic and crap like that. Hank Williams songs like "Lonesome Whistle" and "Your Cheatin' Heart" are wonderful to sing because there is no bullshit in them. It was Jimi Hendrix, and that was the first night he played in England. While the music got louder, the paint hurtled around us faster and faster till we ran nauseous from the cafe, chased by infernal screaming lavender, blue and black snakes. The fact that Metallica connected with the world in the way that they have is phenomenal. Dre productions like Tupac's "California Love" were just so far beyond what I was doing that I couldn't even comprehend what was going on. Like Zeppelin, they were rooted in American R&B, but AC/DC took it to a minimal extreme that had never been heard before. They're so alive. But at the end of the day, Diana Ross' voice would come on the air and give you chill bumps. I was simply staggered by the amount of equipment they had: by Ginger Baker's double bass drum, by Jack Bruce's two 4-by-12 Marshall amps and by all of Eric Clapton's gear. That kind of storytelling has fallen out of pop music, for the most part. Paul Cook was an amazing drummer with a distinct sound, right up there with Keith Moon or Charlie Watts. That song is one of the great moments in rock history for the electric bass guitar. I met her at a Vanity Fair photo shoot. He tells stories in such a powerful and distinctive way. What Tears of the Kingdom offers is that same sense of freedom amplified and applied to every aspect of the . Stevie Wonder introduced us. Pink Floyd were always a group of great creative minds who did whatever the fuck they wanted and didn't worry about all the little rules. We're trying to do the same thing with Los Lonely Boys make a lot of different types of music into something our own but he did that first. And here's a single for you. Ray wrote "You Really Got Me" on piano. They could do pretty much anything with just bass, drums, guitar and vocals.

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